Category Archives: Capability Brown

People : Octavia Hill , Social Reformer, Friend Of Ruskin And Co Founder Of The National Trust …… What A Woman !


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Octavia Hill (3 December 1838 – 13 August 1912) was an English social reformer, whose main concern was the welfare of the inhabitants of cities, especially London, in the second half of the nineteenth century. Born into a family with a strong commitment to alleviating poverty, she herself grew up in straitened circumstances owing to the financial failure of her father. With no formal schooling, she worked from the age of 14 for the welfare of working people.

Hill was a moving force behind the development of social housing, and her early friendship with John Ruskin enabled her to put her theories into practice with the aid of his initial investment. She believed in self-reliance, and made it a key part of her housing system that she and her assistants knew their tenants personally and encouraged them to better themselves. She was opposed to municipal provision of housing, believing it to be bureaucratic and impersonal.

Another of Hill’s concerns was the availability of open spaces for poor people. She campaigned against development on existing suburban woodlands, and helped to save London’s Hampstead Heath and Parliament Hill Fields from being built on. She was one of the three founders of the National Trust, set up to preserve places of historic interest or natural beauty for the enjoyment of the British public. She was a founder member of the Charity Organisation Society (now the charity Family Action) which organised charitable grants and pioneered a home-visiting service that formed the basis for modern social work. She was a member of the Royal Commission on the Poor Laws in 1905.

Hill’s legacy includes the large holdings of the modern National Trust, several housing projects still run on her lines, a tradition of training for housing managers, and the museum established by the Octavia Hill Society at her birthplace.

Biography

Early years

Octavia Hill was the daughter of James Hill, corn merchant and banker, and his third wife, Caroline Southwood Smith. He had been widowed twice, and had six children (five daughters and a son) from his previous marriages. He had been impressed by the writings on education of Caroline Southwood Smith, the daughter of Dr Thomas Southwood Smith, a pioneer of sanitary reform. He had engaged Caroline as a governess for his children in 1832, and they were married in 1835, three years before Octavia was born in Wisbech, Cambridgeshire, her father’s eighth daughter and ninth child. The family’s comfortably prosperous life was disrupted by James Hill’s financial problems and his mental collapse. In 1840 he was declared bankrupt. Caroline Hill’s father gave the family financial support, and took on some of Hill’s paternal role. Southwood Smith was a health and welfare reformer concerned with a range of social issues including child labour in mines and the housing of the urban poor. Caroline Hill held similar views on social reform, and her interest in progressive education, influenced by Johann Heinrich Pestalozzi, and Southwood Smith’s daily experience in his work at the London Hospital in the East End inspired Octavia Hill’s concern for the poorest in early Victorian London. She received no formal schooling: her mother educated the family at home.

The family settled in a small cottage in Finchley, now a north London suburb, but then a village. Octavia Hill was impressed and moved by Henry Mayhew’s London Labour and the London Poor, a book that portrayed the daily lives of slum dwellers. She was also strongly influenced by the theologian, Anglican priest and social reformer F. D. Maurice, who was a family friend. She began her work on behalf of London’s poor by helping to make toys for Ragged school children, and serving as secretary of the women’s classes at the Working Men’s College in Bloomsbury in central London.

A co-operative guild providing employment for “distressed gentlewomen” accepted Hill for training in glass-painting when she was 13. When the work of the guild was expanded to provide work in toy-making for Ragged school children, she was invited, at the age of 14, to take charge of the workroom. The following year she began working in her spare time from the guild as a copyist for John Ruskin in Dulwich Art Gallery and the National Gallery. She was deeply aware of the dreadful living conditions of the children in her charge at the guild. Her views on encouraging self-reliance led to her association with the Charity Organisation Society (COS), described by Hill’s biographer Gillian Darley as “a contentious body which deplored dependence fostered by kindly but unrigorous philanthropy … support to the poor had to be carefully targeted and efficiently supervised. Later in life, however, she began to think the COS line … was over-harsh.”

Hill was short, like all her family, and indifferent to fashion. Her friend Henrietta Barnett wrote: “She was small in stature with long body and short legs. She did not dress, she only wore clothes, which were often unnecessarily unbecoming; she had soft and abundant hair and regular features, but the beauty of her face lay in brown and very luminous eyes, which quite unconsciously she lifted upwards as she spoke on any matter for which she cared. Her mouth was large and mobile, but not improved by laughter. Indeed, Miss Octavia was nicest when she was made passionate by her earnestness.” Barnett also spoke of Hill’s streak of ruthlessness. Gertrude Bell called Hill despotic. Later in Hill’s life, the Bishop of London, Frederick Temple, encountered her at a meeting of the Ecclesiastical Commissioners, and wrote, “She spoke for half an hour … I never had such a beating in all my life.”

Housing for the poor

Parliament and many concerned reformers had been attempting to improve the housing of the working classes since the early 1830s. When Hill began her work, the model dwelling movement had been in existence for twenty years, royal and select committees had sat to examine the problems of urban well-being, and the first of many tranches of legislation aimed at improving working class housing had been passed. From Hill’s point of view these had all failed the poorest members of the working class, the unskilled labourers. She found that their landlords routinely ignored their obligations towards their tenants, and that the tenants were too ignorant and oppressed to better themselves. She tried to find new homes for her charges, but there was a severe shortage of available property, and Hill decided that her only solution was to become a landlord herself. John Ruskin, who was interested in the co-operative guild, knew Hill from her work as his copyist and was impressed by her. As an aesthete and a humanitarian he was affronted by the brutal ugliness of the slums. In 1865, having inherited a substantial sum of money from his father, he acquired for £750 the leases of three cottages of six rooms each in Paradise Place, Marylebone.

Ruskin placed these houses, which were “in a dreadful state of dirt and neglect”, under Hill’s management. He told her that investors might be attracted to such schemes if a five per cent annual return could be secured. In 1866 Ruskin acquired the freehold of five more houses for Hill to manage in Freshwater Place, Marylebone. The Times recorded, “The houses faced a bit of desolate ground occupied by dilapidated cowsheds and manure heaps. The needful repairs and cleaning were carried out, the waste land was turned into a playground where Mr. Ruskin had some trees planted.”

After being improved the properties were let to those on intermittent and low incomes. A return of five per cent on capital was obtained as promised to Ruskin; any excess over the five per cent was reinvested within the properties for the benefit of the tenants. Rent arrears were not tolerated, and bad debts were minimal. As Hill said, “Extreme punctuality, and diligence in collecting rents, and a strict determination that they shall be paid regularly, have accomplished this.” In consequence of her prudent management, Hill was able to attract new backers, and by 1874 she had 15 housing schemes with around 3,000 tenants.

Hill’s system was based on closely managing not only the buildings but the tenants; she insisted, “you cannot deal with the people and their houses separately.” She maintained close personal contact with all her tenants, and was strongly opposed to impersonal bureaucratic organisations and to governmental intervention in housing. In her view, “municipal socialism and subsidized housing” led to indiscriminate demolition, re-housing schemes, and the destruction of communities.

Housing management

At the heart of the Octavia Hill system was the weekly visit to collect rent. From the outset, Hill conceived this as a job for women only. She and her assistants, including Emma Cons combined the weekly rent collection with checking every detail of the premises and getting to know the tenants personally, acting as early social workers. At first Hill believed, “Voluntary workers are a necessity. They are better than paid workers, and can be had in sufficient numbers.” Later, she found it expedient to maintain a paid workforce. Her system required a large staff. Rent was collected on Monday, Tuesday and Wednesday mornings. Rent accounts were balanced in the afternoons and arrangements were made with contractors for repairs. On Thursdays and Fridays arrears were pursued, contractors’ invoices paid, new tenancy lettings and tenants’ moves organised.

If any of Hill’s assistants had spare time, whether during normal working hours or in frequent voluntary after-hours working, it was used to promote tenants’ associations and after-work and children’s after-school clubs and societies. In 1859, Hill created the Southwark detachment of the Army Cadet Force, its first independent unit, which gave training along military lines for local boys. Hill considered that such an organisation would be more like the “real thing” than such existing outfits as the Church Lads’ Brigade and therefore more attractive to young men “who had passed the age of make-believe”. She invited a serving officer of the Derbyshire Regiment to set up the company, and such was its popularity that its numbers had to be capped at 160 cadets.

Hill’s principles were summed up in an article of 1869: “Where a man persistently refuses to exert himself, external help is worse than useless.” She was an outspoken critic of the principles of “outdoor relief” or the Speenhamland system of poor relief as operated by various Poor Law Boards. Because these systems did not encourage recipients to work, she regarded them as “a profligate use of public funds.” Under her methods, personal responsibility was encouraged. She insisted on dealing with arrears promptly; she appointed reliable caretakers; she took up of references on prospective tenants, and visited them in their homes; she paid careful attention to allocations and the placing of tenants, with regard to size of families and the size and location of the accommodation to be offered; and she made no rules that could not be properly enforced.

An American admirer described her as “ruling over a little kingdom of three thousand loving subjects with an iron scepter twined with roses.” Although Hill drove her associates hard, she drove herself harder. In 1877, she collapsed and had to take a break of several months from her work. Darley ascribes a number of contributory causes: “chronic overwork, a lack of delegation, the death of her close friend Jane Senior, the failure of a brief engagement” as well as an attack on her by John Ruskin. The Hill family found a companion for her, Harriot Yorke (1843–1930). Yorke took on a great amount of the everyday work that had caused Hill’s collapse. She remained her companion until Hill’s death. A further palliative was the building of a cottage, at Crockham Hill near Sevenoaks in Kent, where they could take breaks from their work in London.

Open spaces

Among Hill’s concerns was that her tenants, and all urban workers, should have access to open spaces. She believed in “the life-enhancing virtues of pure earth, clean air and blue sky.” In 1883, she wrote:

There is perhaps no need of the poor of London which more prominently forces itself on the notice of anyone working among them than that of space. … How can it best be given? And what is it precisely which should be given? I think we want four things. Places to sit in, places to play in, places to stroll in, and places to spend a day in. The preservation of Wimbledon and Epping shows that the need is increasingly recognised. But a visit to Wimbledon, Epping, or Windsor means for the workman not only the cost of the journey but the loss of a whole day’s wages; we want, besides, places where the long summer evenings or the Saturday afternoon may be enjoyed without effort or expense.

She campaigned hard against building on existing suburban woodlands, and helped to save Hampstead Heath and Parliament Hill Fields from development. She was the first to use the term “Green Belt” for the protected rural areas surrounding London. Three hills in Kent (Mariners Hill, Toys Hill and Ide Hill) which she helped to protect from development form part of the belt.

In 1876 Hill became the treasurer of the Kyrle Society, founded in that year by her eldest sister, Miranda, as a “Society for the Diffusion of Beauty”. Under the slogan “Bring Beauty Home to the Poor” it aimed to bring art, books, music and open spaces into the lives of the urban poor. For a short period it flourished and expanded, and although it declined after a few years, it was a template for the National Trust, 20 years later.

Before that, however, Hill was engaged in a campaign in 1883 to stop the construction of railways from the quarries in the fells overlooking Buttermere, in the English Lake District, with damaging effect on the unspoilt scenery. The campaign was led by Canon Hardwicke Rawnsley, who secured the support of Ruskin, Hill, and Sir Robert Hunter, solicitor to the Commons Preservation Society. From 1875 onwards, Hunter had been Hill’s legal adviser on the protection of open spaces in London. Both he and Rawnsley, building on an idea put forward by Ruskin, conceived of a trust that could buy and preserve places of natural beauty and historic interest for the nation.

On 16 November 1893, Hill, Hunter and Rawnsley met in the offices of the Commons Preservation Society and agreed to launch such a trust. Hill suggested that it should be called “The Commons and Gardens Trust”, but the three agreed to adopt Hunter’s suggested title, the “National Trust”. Under its full formal title, the National Trust for Places of Historic Interest or Natural Beauty was inaugurated the following year. The trust was concerned primarily with protecting open spaces and endangered buildings of historic interest; its first property was Alfriston Clergy House and its first nature reserve was Wicken Fen.

Later years

The number of homes managed by Hill continued to grow. Although Ruskin had turned against her in a bout of mental instability, she found a new supporter, the Ecclesiastical Commissioners, who handed over to her the management of their housing estates in several poor areas of south London. By the end of the nineteenth century, Hill’s women workers were no longer unpaid volunteers but trained professionals. Hill’s influence spread beyond the properties under her own control. Her ideas were taken up and copied, with her enthusiastic support, in continental Europe and the United States of America. Beatrice Webb said that she “first became aware of the meaning of the poverty of the poor,” while staying with her sister, who was a rent collector for Octavia Hill in the East End. Queen Victoria’s daughter, Princess Alice of Hesse-Darmstadt, was taken incognito on a tour of some of Hill’s properties, and she translated Hill’s Homes of the London Poor into German. Among those whom Hill trained was her assistant and secretary, Maud Jeffery, who was later engaged by the Commissioners of Crown Lands to run new housing estates in London on Octavia Hill’s lines. Even some local authorities, despite Hill’s distrust, followed her model: some of the earliest examples of municipal council housing, at Kensington and Camberwell, were run on her lines, with the acquisition of working class houses, and their gradual improvement, without evictions or demolitions.

Despite her opposition to interference by national or local government in the provision of housing, Hill had to cope with the newly created London County Council and the involvement of the council and other local authorities in providing housing for the poor. In 1884 a royal commission on the housing of the working classes was set up, but the prime minister, W.E. Gladstone, and his ministerial colleagues vetoed a proposal to include Hill among the members of the commission. The municipal authorities quickly surpassed her in the number of properties under their management. A.S. Wohl notes that in the 1880s Hill had about £70,000 worth of property under her management, and at the end of her career she was managing the dwellings of “perhaps three or four thousand people at the most.” The London County Council, by contrast, had a budget of £1,500,000 for its programme of rehousing London’s poor in 1901–02.

Hill was opposed to other reforms that came about in the early part of the twentieth century. She was against female suffrage on the grounds that “men and women help one another because they are different, have different gifts and different spheres”. She also believed that provision of social services and old-age pensions by the government did more harm than good, sapping people’s self-reliance.

Hill died from cancer on 13 August 1912 at her home in Marylebone, at the age of 73.

Legacy and memorials

When John Singer Sargent’s portrait of her was presented by her fellow-workers in 1898, Hill made a speech in which she said, “When I am gone, I hope my friends will not try to carry out any special system, or to follow blindly in the track which I have trodden. New circumstances require various efforts, and it is the spirit, not the dead form, that should be perpetuated. … We shall leave them a few houses, purified and improved, a few new and better ones built, a certain amount of thoughtful and loving management, a few open spaces…” But, she said, more important would be “the quick eye to see, the true soul to measure, the large hope to grasp the mighty issues of the new and better days to come – greater ideals, greater hope, and patience to realize both.”

The Horace Street Trust, founded by Hill, became a model for many subsequent housing associations and developed into the present trust that bears her name, Octavia Housing. Today it owns several of the homes, including Gable Cottages, designed by Elijah Hoole, who worked with Hill for many years. Hill’s determination to provide community space can still be seen in the shape of the Red Cross site in Southwark (1888), among others. The Octavia Hill Society website states that with a community hall, and soundly maintained attractive houses, Hill here anticipated the fundamental ingredients of town planning by some 15 years.

The Settlement Movement (creating integrated mixed communities of rich and poor) grew directly out of Hill’s work. Her colleagues Samuel and Henrietta Barnett, founded Toynbee Hall, the first university-sponsored settlement, which together with the Women’s University Settlement (later called the Blackfriars Settlement) continues to serve local communities. Overseas, Hill’s name is perpetuated in the Octavia Hill Association in Philadelphia, a small property company, founded to provide affordable housing to low and middle-income city residents.

Women who had trained under Hill formed the Association of Women Housing Workers in 1916. This later changed its name to the Society of Housing Managers in 1948. After merging with the Institute of Housing Managers in 1965, the society became the present day Chartered Institute of Housing in 1994. The CIH is a professional body for those working in the housing profession in the UK and overseas. The training that Hill gave to Charity Organisation Society volunteers contributed to the development of modern social work, and COS continued to be instrumental in developing social work as a profession during the twentieth century. COS is still in operation today as the charity Family Action.

In 1907, Parliament passed the first National Trust Act, enshrining the trust’s permanent purpose and giving it powers to protect property for the benefit of the nation. The trust now looks after a wide range of coast, countryside and historic buildings. According to the trust’s website, “Staff, volunteers and tenants are engaged daily in providing access to open spaces for people’s enjoyment, providing habitats for wildlife and in improving our environment – ‘for ever, for everyone’.”

Commemorations of Hill herself include a monument to her at a Surrey beauty spot, on the summit of a hill called Hydon Ball (now owned by the National Trust). Shortly after her death, the family erected a stone seat there, from which walkers can enjoy views over the Surrey countryside. The Octavia Hill Society was set up in 1992 “to promote awareness of the ideas and ideals of Octavia Hill, her family, fellow workers and their relevance in today’s society nationally and internationally”. Under the society’s auspices her birthplace at Wisbech has been turned into the Octavia Hill Birthplace Museum. In 1995, to mark the centenary of the National Trust, a new variety of rose, “Octavia Hill”, was named in her honour.

RHS : The Royal Horticultural Society, From Wedgewood To Chelsea …


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The Royal Horticultural Society (RHS) was founded in 1804 in London, England as the Horticultural Society of London, and gained its present name in a Royal Charter granted in 1861. The Royal Horticultural Society is the UK’s leading gardening charity and claims to be “the world’s largest gardening charity”.

The charitable work of the RHS helps to protect plants, gardens and green spaces. The RHS helps over two million school children to start gardening, supports gardening in more than 1,700 communities, and encourages people to grow their own food.

The charity promotes horticulture through flower shows such as the RHS Chelsea Flower Show, Hampton Court Palace Flower Show, RHS Tatton Park Flower Show and RHS Cardiff Flower Show. It also supports training for professional and amateur gardeners.

History

Founders

The creation of a British horticultural society was suggested by John Wedgwood (son of Josiah Wedgwood) in 1800. His aims were fairly modest: he wanted to hold regular meetings, allowing the society’s members the opportunity to present papers on their horticultural activities and discoveries, to encourage discussion of them, and to publish the results. The society would also award prizes for gardening achievements.

Wedgwood discussed the idea with his friends, but it was four years before the first meeting, of seven men, took place, on 7 March 1804 at Hatchards bookshop in Piccadilly, London. Wedgwood was chairman; also present were William Townsend Aiton (successor to his father, William Aiton, as Superintendent of Kew Gardens), Sir Joseph Banks (President of the Royal Society), James Dickson (a nurseryman), William Forsyth (Superintendent of the gardens of St. James’s Palace and Kensington Palace), Charles Francis Greville (a Lord of the Admiralty) and Richard Anthony Salisbury, who became the Secretary of the new society.

Banks proposed his friend Thomas Andrew Knight for membership. The proposal was accepted, despite Knight’s ongoing feud with Forsyth over a plaster for healing tree wounds which Forsyth was developing. Knight was President of the society from 1811–1838, and developed the society’s aims and objectives to include a programme of practical research into fruit-breeding.

Royal Horticultural Society gardens

The Royal Horticultural Society’s four major gardens in England are: Wisley Garden, near Wisley in Surrey; Rosemoor Garden in Devon; Hyde Hall in Essex and Harlow Carr in Harrogate, North Yorkshire.

The Society’s first garden was in Kensington, from 1818–1822. In 1821 the society leased part of the Duke of Devonshire’s estate at Chiswick to set up an experimental garden; in 1823 it employed Joseph Paxton there. From 1827 the society held fêtes at the Chiswick garden, and from 1833, shows with competitive classes for flowers and vegetables. In 1861 the RHS (as it had now become) developed a new garden at South Kensington on land leased from the Royal Commission for the Exhibition of 1851 (the Science Museum, Imperial College and the Royal College of Music now occupy the site), but it was closed in 1882. The Chiswick garden was maintained until 1903–1904, by which time Sir Thomas Hanbury had bought the garden at Wisley and presented it to the RHS.

RHS Garden Wisley is thus the society’s oldest garden. Rosemoor came next, presented by Lady Anne Berry in 1988. Hyde Hall was given to the RHS in 1993 by its owners Dick and Helen Robinson. Dick Robinson was also the owner of the Harry Smith Collection which was based at Hyde Hall. The most recent addition is Harlow Carr, acquired by the merger of the Northern Horticultural Society with the RHS in 2001. It had been the Northern Horticultural Society’s trial ground and display garden since they bought it in 1949.

Royal Horticultural Society shows

The RHS is well known for its annual flower shows which take place across the UK. The most famous of these shows being the RHS Chelsea Flower Show, visited by people from across world. This is followed by the Hampton Court Palace Flower Show (which the RHS took over in 1993) and RHS Tatton Park Flower Show in Cheshire (Since 1999). The most recent addition to the RHS shows line up is the RHS Show Cardiff, held at Cardiff Castle since 2005.[5] The society is also closely involved with the spring and autumn shows at Malvern, Worcestershire, and with BBC Gardeners’ World Live held annually at the Birmingham National Exhibition Centre.

Britain in Bloom

In 2002, the RHS took over the administration of the Britain in Bloom competition from the Tidy Britain Group (formerly and subsequently Keep Britain Tidy). In 2010, The Society launched ‘It’s your neighbourhood’, a campaign to encourage people to get involved in horticulture for the benefit of their community. In 2014, the ‘Britain in Bloom’ celebrates its 50th anniversary.

Education and training

The RHS runs formal courses for professional and amateur gardeners and horticulturalists and also validates qualifications gained elsewhere (e.g. at Kew Botanic Gardens).

The RHS Level 1 Award in Practical Horticulture aims to develop essential horticultural skills and to provide a foundation for further RHS practical qualifications at Levels 2 and 3. It is aimed at anyone who has an interest in plants and gardening.

Level 2 qualifications provide a basis for entry into professional horticulture, support career development for existing horticultural workers or can provide a foundation for further learning or training. There are separate theoretical- and practical-based qualifications at this Level and the RHS Level 2 Diploma in the Principles and Practices of Horticulture combines the theoretical- and practical-based qualifications.

Level 3 qualifications allow specialisation in the candidate’s area of interest. They can offer proficiency for those looking for employment in horticulture, they can support further career and professional development for those already working in the field, or they can provide a basis for continued learning or training. As for Level 2, there are theoretical- and practical-based qualifications at Level 3 and a Diploma that combines both.

The Master of Horticulture (RHS) Award is the Society’s most prestigious professional horticultural qualification. It is of degree level and it is intended for horticultural professionals. The course allows for flexible study over a period of three years or more.

Medals and awards

People

The society honours certain persons with the Victoria Medal of Honour who are deemed by its Council to be deserving of special recognition in the field of horticulture. Other medals issued by the society include the Banksian, Knightian and Lindley medals, named after early officers of the society. It awards Gold, Silver-gilt, Silver and Bronze medals to exhibitors at its Flower Shows.

The Veitch Memorial Medal, named after James Veitch, is awarded annually to persons of any nationality who have made an outstanding contribution to the advancement and improvement of the science and practice of horticulture.

Other awards bestowed by the society include the Associate of Honour and the Honorary Fellowship.

Plants

The Award of Garden Merit, or AGM, is the principle award made to garden plants by the Society after a period of assessment by the appropriate committees of the Society. Awards are made annually after plant trials.

Older books may contain references to the following awards, which were based mainly on flower quality (but which are not referred to in current (2014) RHS websites and reports):

PC: Preliminary Certificate

HC: Highly Commended

AM: Award of Merit (not the same as the AGM)

FCC: First Class Certificate (once a very prestigious award)

Royal Horticultural Society libraries

The RHS is custodian of the Lindley Library, housed within its headquarters at 80 Vincent Square, London, and in branches at each of its four gardens. The library is based upon the book collection of John Lindley.

The RHS Herbarium has its own image library (collection) consisting of more than 3,300 original watercolours, approximately 30,000 colour slides and a rapidly increasing number of digital images. Although most of the images have been supplied by photographers commissioned by the RHS, the archive includes a substantial number of slides from the Harry Smith Collection and Plant Heritage National Plant Collection holders.

The reference library at Wisley Garden is open to visitors to the Garden.

Publications

Journals

The society has published a journal since 1866. Since 1975 it has been entitled The Garden and is currently a monthly publication. The RHS also publishes both The Plantsman and The Orchid Review four times a year, and Hanburyana, an annual publication dedicated to horticultural taxonomy.

Plant registers

Since the establishment of International Registration Authorities for plants in 1955 the RHS has acted as Registrar for certain groups of cultivated plants. It is now Registrar for nine categories – conifers, clematis, daffodils, dahlias, delphiniums, dianthus, lilies, orchids and rhododendrons. It publishes The International Orchid Register, the central listing of orchid hybrids.

Highclere Castle : The True Home Of Downton Abbey … And A Capability Brown Landscape To Boot


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Highclere Castle is a country house in the Jacobethan style, with a park designed by Capability Brown. The 5,000-acre (2,000 ha) estate is in Hampshire, England, United Kingdom, about 5 miles (8.0 km) south of Newbury, Berkshire. It is the country seat of the Earl of Carnarvon, a branch of the Anglo-Welsh Herbert family.

Highclere Castle is the main filming location for the British television period drama Downton Abbey. The Castle and gardens are open to the public during July and August and at times during the rest of the year.

History

Early years

The castle stands on the site of an earlier house, which was built on the foundations of the medieval palace of the Bishops of Winchester, who owned this estate from the 8th century. The original site was recorded in the Domesday Book. Since 1679, the castle has been home to the Earls of Carnarvon.

In 1692, Robert Sawyer, a lawyer and college friend of Samuel Pepys, bequeathed a mansion at Highclere to his only daughter, Margaret, the first wife of the 8th Earl of Pembroke. Their second son, Robert Sawyer Herbert, inherited Highclere, began its picture collection and created the garden temples. His nephew and heir Henry Herbert was created Baron Porchester and later Earl of Carnarvon by George III.

19th century

The house was then a square, classical mansion, but it was remodelled and largely rebuilt for the third Earl following a design by Sir Charles Barry in 1839–1842, after he had finished with the construction of the Houses of Parliament. It is in the Jacobethan style and faced in Bath stone, reflecting the Victorian revival of English architecture of the late 16th century and early 17th century, when Tudor architecture was being challenged by newly arrived Renaissance influences.

During the 19th century there was a huge Renaissance Revival movement, of which Sir Charles Barry was a great exponent—Barry described the style of Highclere as Anglo-Italian. Barry had been inspired to become an architect by the Renaissance architecture of Italy and was very proficient at working in the Renaissance-based style that became known in the 19th century as Italianate architecture. At Highclere, however, he worked in the Jacobethan style, but added to it some of the motifs of the Italianate style. This is particularly noticeable in the towers, which are slimmer and more refined than those of Mentmore Towers, the other great Jacobethan house built in the same era. Barry produced an alternative design in a more purely Italian Renaissance style, which was rejected by Lord Carnarvon. The external walls are decorated with strapwork designs typical of Northern European Renaissance architecture. The Italian Renaissance theme is more evident in the interiors. In the saloon, in an attempt to resemble a medieval English great hall, Barry’s assistant Thomas Allom introduced a Gothic influence evident in the points rather than curves of the arches, and the mock-hammerbeam roof.

Although the exterior of the north, east and south sides were completed before the 3rd Earl died in 1849 and Sir Charles Barry died in 1860, the interior and the west wing (designated as servants’ quarters) were far from complete. The 4th Earl turned to the architect Thomas Allom, who had worked with Barry, to supervise work on the interior of the Castle, which was completed in 1878.

The 1st Earl had his park laid out according to a design by Capability Brown in 1774–1777, relocating the village in the process—the remains of the church of 1689 are at the south-west corner of the castle. The Lebanon Cedars are believed to be descended from seed brought to England from the Lebanon by the 17th-century seed collector Edward Pococke.

20th century

The castle became home to Egyptian artifacts after the 5th Earl, an enthusiastic amateur Egyptologist, sponsored the excavation of nobles’ tombs in Deir el-Bahari (Thebes) in 1907. He later accompanied archaeologist Howard Carter during the discovery of the tomb of Tutankhamun in 1922.

In 1969, Henry Herbert, 7th Earl of Carnarvon, became racing manager to Elizabeth II. The 7th Earl was “great friends” with the Queen; she was a “frequent visitor until his death in 2001”.

21st century

By 2009, the castle was in dire need of major repair, with only the ground and first floors remaining usable. Water damage had caused stonework to crumble and ceilings to collapse; at least 50 rooms were uninhabitable. The 8th Earl and his family were living in a “modest cottage in the grounds”; he said his ancestors were responsible for the castle’s long term problems.” As of 2009, repairs needed for the entire estate were estimated to cost around £12 million, £1.8 million of which was urgently needed for just the castle. As of late 2012, the Earl and Lady Carnarvon have stated that a dramatic increase in the number of paying visitors has allowed them to begin major repairs both on Highclere’s turrets and its interior. The family attributes this increase in interest to the on-site filming of Downton Abbey. The family now live in Highclere during the winter months, but return to their cottage in the summer, when the castle is open to the public.

Details

There are various follies on the estate. To the east of the house is the Temple of Diana, erected before 1743 with Corinthian columns from Devonshire House in Piccadilly.”Heaven’s Gate” is a folly about 18 m high on Sidown Hill, built in 1749 by Hon. Robert Sawyer Herbert (d. 1769). Other 18th-Century follies that can be found on the grounds of the estate include Jackdaw’s Castle and the Etruscan Temple.

The hybrid holly Ilex x altaclerensis (Highclere holly) was developed here in about 1835 by hybridising the Madeiran Ilex perado (grown in a greenhouse) with the local native Ilex aquifolium.

Use as location

  • 1982: It was seen as the home of a wealthy Englishman that Mr. Fortescue visited seeking money in the 1982 film starring Michael Palin, The Missionary. The castle exterior appears about 19 minutes and 30 seconds into the film.
  • 1987: Shots from both the interior and exterior were used as the imposing Mistlethwaite Manor in the Hallmark Hall of Fame’s 1987 version of The Secret Garden.
  • 1990–1993: Totleigh Towers, in the TV version of Jeeves and Wooster, was represented by Highclere Castle.
  • 1991: The exterior appeared as Lord Graves’s house in the film King Ralph.
  • 1992: It was portrayed as the home of the 23rd Earl of Leete in Jim Broadbent and Mike Leigh’s 1992 mock biopic A Sense of History.
  • 1999: The salon provided a main interior location for Stanley Kubrick’s final film, Eyes Wide Shut.
  • 2001: The exterior appeared as the Raichand mansion in the Bollywood blockbuster Kabhi Khushi Kabhie Gham.
  • 2002: The saloon appeared in the film The Four Feathers starring Heath Ledger.
  • 2006: John Legend’s 2006 music video for “Heaven Only Knows” features the castle.
  • 2010: The Temple of Diana featured in the movie Pride and Prejudice.
  • 2010–present: It is the main setting for the British television period drama Downton Abbey, as a result of which The Tatler referred to the area around Highclere as “Downtonia”

People : DDDD Deborah The Dowager Duchess Of Devonshire, Gardener On A Scale Like No Other…


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Deborah Vivien Cavendish, Duchess of Devonshire DCVO (née Deborah Freeman-Mitford; 31 March 1920 – 24 September 2014), was the youngest and last surviving of the six Mitford sisters who were prominent members of English society in the 1930s and 1940s.

Life

Known to her family as “Debo”, Deborah Mitford was born in Asthall Manor, Oxfordshire, England. She married Lord Andrew Cavendish, younger son of the 10th Duke of Devonshire, in 1941. When Cavendish’s older brother, William, Marquess of Hartington, was killed in combat in 1944, Cavendish became heir to the dukedom and Marquess of Hartington; in 1950, upon the death of his father, he became the 11th Duke of Devonshire.

The Duchess was the main public face of Chatsworth for many decades. The Duchess wrote several books about Chatsworth, and played a key role in the restoration of the house, the enhancement of the garden and the development of commercial activities such as Chatsworth Farm Shop (which is on a quite different scale from most farm shops as it employs a hundred people); Chatsworth’s other retail and catering operations; and assorted offshoots such as Chatsworth Food, which sells luxury foodstuffs which carry her signature and Chatsworth Design which sells image rights to items and designs from the Chatsworth collections. Recognising the commercial imperatives of running a stately home, she took a very active role and was known to run the ticket office for Chatsworth House herself. She also supervised the development of the Cavendish Hotel at Baslow near Chatsworth and the Devonshire Arms Hotel at Bolton Abbey.

In 1999 the Duchess was appointed a Dame Commander of the Royal Victorian Order (DCVO) by Queen Elizabeth II, for her service to the Royal Collection Trust. Upon the death of her husband in 2004, her son Peregrine Cavendish became the 12th Duke of Devonshire. She became the Dowager Duchess of Devonshire at this time.

She and the duke had seven children, four of whom died shortly after birth:

  • Mark Cavendish (born and died 14 November 1941)
  • Emma Cavendish (born 26 March 1943, styled Lady Emma Cavendish from 1944), mother of the fashion model Stella Tennant
  • Peregrine Cavendish, 12th Duke of Devonshire (born 27 April 1944)
  • An unnamed child (miscarried December 1946; he or she was a twin of Victor Cavendish, born in 1947)
  • Lord Victor Cavendish (born and died 22 May 1947)
  • Lady Mary Cavendish (born and died 5 April 1953)
  • Lady Sophia Louise Sydney Cavendish (born 18 March 1957)

She was also a maternal aunt of Max Mosley, former president of the Fédération Internationale de l’Automobile (FIA), as well as the grandmother of Stella Tennant, a fashion model.

Death

Her death, at the age of 94, was announced on 24 September 2014. The Duchess was survived by three of her seven children, eight grandchildren and eighteen great-grandchildren.

Selected interviews

She was interviewed on her experience of sitting for a portrait for painter Lucian Freud in the BBC series Imagine in 2004.

In an interview with John Preston of the Daily Telegraph, published in September 2007, she recounted having tea with Adolf Hitler during a visit to Munich in June 1937, when she was visiting Germany with her mother and her sister Unity, the latter being the only one of the three who spoke German and, therefore the one who carried on the entire conversation with Hitler. Shortly before ending the interview, Preston asked her to choose with whom she would have preferred to have tea: American singer Elvis Presley or Hitler. Looking at the interviewer with astonishment, she answered: “Well, Elvis of course! What an extraordinary question.”

In 2010, the BBC journalist Kirsty Wark interviewed the Duchess for Newsnight. In it, the Duchess talked about life in the 1930s and 1940s, Hitler, the Chatsworth estate, and the marginalisation of the upper classes. She was also interviewed on 23 December by Charlie Rose for PBS. She spoke of her memoir and other interesting aspects of her life. On 10 November 2010, she was interviewed as part of “The Artists, Poets, and Writers Lecture Series” sponsored by the Frick Collection, an interview which focused on her memoir and her published correspondence with Patrick Leigh Fermor.

Titles from birth

  • The Honourable Deborah Vivien Freeman-Mitford (1920–1941)
  • The Lady Andrew Cavendish (1941–1944)
  • Marchioness of Hartington (1944–1950)
  • Her Grace The Duchess of Devonshire (1950–2004)
  • Her Grace The Dowager Duchess of Devonshire (2004-2014)

Quex Park & Gardens , An Odd But Perfect Place To Buy A Curry ….


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Quex Park is 250 acres (1.0 km2) of parkland and gardens, along with Quex House and other buildings, located in Birchington-on-Sea in England. It is home to the Powell-Cotton Museum and to the Waterloo tower, an unusual secular bell tower.

History

There has been a house on the Quex site since the early 1400s, and gained its Quex name from the ownership of the rich wool merchant Quekes family in the 1500s. The house was purchased by John Powell-Cotton in 1777, and his nephew, also John, demolished the existing mansion, and replaced it with a regency home. The house is still owned by the Powell-Cotton family.

In the 19th century, the family amalgamated two farms to form Quex Park, and began a programme of tree planting and landscaping to create the current park land.

During World War I, Quex House became an Auxiliary Military Hospital run by the Birchington Voluntary Aid Detachment. In 1923, the Memorial Ground was donated to the village by Mr H. A. Erlebach for sport and recreational use. Mr Erlebach owned the village’s now defunct Woodfood House School and purchased land from the Quex House estate for the school. He gave the southern part of the land to the people of Birchington and dedicated it in memory of his three sons who had been killed in World War I. The land is now owned by Thanet District Council.

Powell-Cotton Museum

In 1896, Major Percy Horace Gordon Powell-Cotton, F.Z.S., F.R.G.S., a Major in the Northumberland Fusiliers, founded the Powell-Cotton Museum at Quex Park to display his collection of mammals and artefacts acquired on his expeditions to Africa and Asia.[7] The animals were mounted by the noted taxidermist Rowland Ward. His expeditions were conducted for scientific research, and would sometimes take 18 months.

The Powell-Cotton Museum houses three galleries of stuffed animal displays, depicting more than 500 African and Asian animals against their natural habitats.[10] Further galleries display a vast collection of African artefacts, European firearms, European and Asian cutting weapons, European and Chinese porcelain, and important archaeological finds from Thanet and East Kent. The total amount of artefacts have not been counted, though the ethnography items alone total approximately 18,000.

Several rooms in Quex House, decorated with oriental and English period furniture, are open to visitors, and guided tours are provided.

Current uses

In addition to the museum, Quex Park also hosts a variety of events, including music concerts and festivals, alongside weddings and corporate entertainment. The estate also has its own food range, Quex Foods.

People : Dan Pearson, Garden & Landscape Designer, Created Paul Smith’s Garden & Japan’s Millenium Forest ……


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Dan Pearson (born 9 April 1964) is an English garden designer, landscape designer, journalist and television presenter. He is an expert in naturalistic perennial planting.

Early life

Pearson was brought up in an Arts and Crafts house on the Hampshire-Sussex border. His father is a painter who taught fine art at Portsmouth Polytechnic and his mother taught fashion and textiles at Winchester School of Art.

He had a weekend gardening job for Mrs. Pumphrey at Greatham Mill Gardens, Hampshire that cultivated his interest in gardening. He decided against going to Art College, and dropped out of his A levels (backed by his parents) to be able to go to the RHS Garden, Wisley, at 17. During 1981–1983, he became an RHS Wisley Trainee, Certificate Course, aged 17. While at Wisley his mother introduced him to Frances Mossman, for whom he designed a garden. Dan then went to the Royal Botanic Garden Edinburgh for a year to work in the Rock Garden and the Woodland Garden. Pearson then completed the three-year Kew Gardens course. Then he went back to maintaining Frances Mossman’s garden – Home Farm in Northampton. He also had student scholarships to study wildflower communities in the Picos de Europa, Spain, and in the Himalayas.

Pearson then set up his Garden Design business in 1987.

Career

Since 2002, he has been designing a number of gardens as well as giving lectures around the world, including the U.K., Italy, the U.S.A. and Japan.

He has designed gardens for Jonathan Ive, Paul Smith art dealer Ivor Braka, Russian businessman Vladislav Doronin. Carlo Caracciolo (the late owner of the Italian newspaper l’Espresso) and his colleague on The Guardian newspaper, Nigel Slater (this garden was a joint effort with Monty Don). He has also restored the landscape at Althorp House (post Diana’s death) post 1997 and worked on the landscape for the Millennium Dome. Dan has now done five show gardens at RHS Chelsea Flower Show. In 1992, 1993, 1994, 1996 (with an outstandling roof garden), and 2004 (for Merrill Lynch). He has also worked at the Botanic Garden of Jerusalem. He designed the Roof Garden of Roppongi Hills, Japan in 2002.

Pearson is a tree ambassador for The Tree Council and a member of the Society of Garden Designers. In 2011, he was elected an honorary fellow of the Royal Institute of British Architects and was a member of the jury for the 2011 RIBA Stirling Prize.

He has a working relationships with some of the most known architects practising in the UK including Zaha Hadid, Rogers Stirk Harbour + Partners, Feilden Clegg Bradley Studios, David Chipperfield Architects and 6a Architects, London, which led to Pearson being elected Royal Designer for Industry in 2012.

At the Garden Media Guild Awards of 2011, he was awarded the prize for ‘Inspirational Book of the Year’.

Another large project was the Tokachi Millenium Forest Garden, in Shimizu, Hokkaido, which was featured on BBC Radio 4 programme Designed in Britain, Built in Japan. Another project is Maggie’s Centre in Charing Cross, London.

The Garden Museum in Lambeth, London held an exhibition on his work, between 23 May 2013 to October 2013. Pearson has created a new planting design for the border in front of the Museum.

He is also working as horticultural advisor for Thomas Heatherwick’s Garden Bridge, over the Thames in London.

Television career

Pearson has presented and appeared in several TV series on BBC2, Channel 4 and Channel 5. In 1992, he presented the first garden makeover programme, Garden Doctors. A book of the same name later followed the series. He presented Dan Pearson: Routes around the World on Channel 4, a six-part travel and horticultural series, by Flashback Productions, in 1997.

In 2008, the BBC filmed a 12-part series, A Year At Home Farm, in Northampton, which Dan had been designing the gardens for since 1987. A book later followed the series.

He appears occasionally on BBC’s Gardeners’ World, and also regularly talks on radio.

Writing

Pearson has written for such newspapers as The Guardian, The Telegraph (during 2003-2006), and The Sunday Times on the subject of landscaping and home gardening. He has been the garden columnist for the The Observer Magazine since 2006. He sits on the editorial board of Gardens Illustrated magazine. His writing also includes Gardeners’ World magazine, and various magazine and newspaper articles.

Bibliography

  • Pearson, Dan (1996). Garden Doctors (A Channel Four book). Boxtree Press Ltd. ISBN978-0752210292.

Co-authored with Steve Bradley

  • Pearson, Dan (27 Feb 1998). ‘The Essential Garden Book’. Conran Octopus Ltd. ISBN978-1850299196.

Co-authored with Sir Terence Conran

  • Pearson, Dan (4 Jan 2001). The Garden: A Year at Home Farm. Ebury Press. ISBN978-0091870324.
  • Pearson, Dan (28 September 2009 (hardback) 3 October 2011 (softback)). Spirit: Garden Inspiration. FUEL. ISBN978-0956356291.

Introduction by Beth Chatto

  • Pearson, Dan (7 March 2011). Home Ground: Sanctuary in the City. Conran Octopus. ISBN978-1840915372.

Personal life

Pearson has a brother called Luke, who is a product and furniture designer, and a partner in the company ‘Pearsonlloyd’

In 2010, he moved from Peckham in London to a property with 20 acres of land in Somerset.

Plant Hunters : John Tradescant The Younger, The Real Lord of the Aster….


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John Tradescant the Younger (4 August 1608 – 22 April 1662), son of John Tradescant the elder, was a botanist and gardener, born in Meopham, Kent and educated at The King’s School, Canterbury. Unlike his father, who collected via other people bringing back specimens, he went in person to Virginia between 1628-1637 (and possibly two more trips by 1662, though Potter and other authors doubt this) to collect plants. Among the seeds he brought back, to introduce to English gardens were great American trees, like Magnolias, Bald Cypress and Tulip tree, and garden plants such phlox and asters. He also added to the cabinet of curiosities his American acquisitions such as the ceremonial cloak of Chief Powhatan, one of the most important Native American relics. Tradescant Road, off South Lambeth Road in Vauxhall, marks the former boundary of the Tradescant estate, where the collection was kept.

When his father died, he succeeded as head gardener to Charles I and Henrietta Maria of France, making gardens at the Queen’s House, Greenwich, designed by Inigo Jones, from 1638 to 1642, when the queen fled the Civil War. He published the contents of his father’s celebrated collection as Musaeum Tradescantianum — books, coins, weapons, costumes, taxidermy, and other curiosities — dedicating the first edition to the Royal College of Physicians (with whom he was negotiating for the transfer of his botanic garden), and the second edition to the recently restored Charles II. Tradescant bequeathed his library and museum to (or some say it was swindled from him by) Elias Ashmole (1617–1692), whose name it bears as the core of the Ashmolean Museum in Oxford where the Tradescant collections remain largely intact.

He was buried beside his father in the churchyard of St-Mary-at-Lambeth which is now established as the Museum of Garden History.

He is the subject of the novel Virgin Earth by Philippa Gregory, sequel to Earthly Joys on his father.

The standard author abbreviation Trad. is applied to species he described.

People : Thomas Mawson, Garden Designer, Town Planner and Exceptional Landscape Architect.


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Thomas Hayton Mawson (5 May 1861 – 14 November 1933), known as T. H. Mawson, was a British garden designer, landscape architect, and town planner.

Personal life

Mawson was born in Nether Wyresdale, Lancashire and left school at age 12. His father, who died in 1877, was a warper in a cotton mill and later started a building business. He married Anna Prentice in 1884 and the Mawsons made their family home in Windermere, Westmorland in 1885. They had four sons and five daughters. His eldest son, Edward Prentice Mawson was a successful landscape architect and took over the running of his father’s firm when his father developed Parkinson’s disease in 1923. Another son, John Mawson, moved to New Zealand in 1928 as Director of Town Planning for that country. He died at Applegarth, Hest Bank, near Lancaster, Lancashire, aged 72 and is buried in Bowness Cemetery within a few miles of some of his best gardens and overlooking Windermere.

Working life

To make a living, he worked first in the building trade in Lancaster, then at a London nursery where he gained experience in landscape gardening. In the 1880s he moved back north, where he and two brothers started the Lakeland Nursery in Windermere. The firm became sufficiently successful for him to be able to turn his attention to garden design.

Mawson’s first commission was a local property, Graythwaite Hall, and his work there showed his hallmark blend of architecture and planting. He went on to design other gardens in Cumbria such as Langdale Chase, Holehird, Brockhole, and Holker Hall around the turn of the century.

In 1891 Mawson was commissioned to design and construct Belle Vue Park in Newport, Monmouthshire, Mawson’s first win in an open competition. His design was, in fact, designed for the neighbouring field, the site of the then Newport and Monmouthshire Hospital after Mawson misunderstood directions on his first visit. The mistake was not realised until the first site visit, after the contract had been awarded. Between 1894 and 1909 Mawson was commissioned to design and construct Dyffryn Gardens near Cardiff. The Rushton Hall estate in Northamptonshire has early 20th century formal terraced gardens designed by Mawson between 1905–1909 and implemented by his brother Robert.

Later Mawson designed gardens in various parts of Britain, and others in Europe and Canada. In London he designed gardens at The Hill, in Hampstead for Lord Leverhulme. The impressive 800 ft long pergola is now open to the public as part of the West Heath. He designed Rivington Gardens and Lever Park in Lancashire also for Lord Leverhulme. Padiham Memorial Park (1921) was another commission in Lancashire. Mawson also designed the gardens at Wood Hall near Cockermouth, Cumbria, which were completed in 1920. Much of this garden still survives today.

From 1910 to 1924 he lectured frequently at the school of civic design, Liverpool University. He also contributed articles on garden design to The Studio magazine and its annual The Studio Year Book of Decorative Art. In the 1920s he designed gardens for Dunira, a country house in Perthshire.

In 1923 he became president of the Town Planning Institute, and in 1929 the first president of the Institute of Landscape Architects.

International work

In 1908 he won a competition to lay out the Peace Palace gardens at The Hague. He also advised on the development of the Great Smoky Mountains National Park in the United States. In 1912 Mawson toured several Canadian cities, beginning in Halifax and ending up in Victoria, British Columbia. As well as giving talks, he proposed several (unaccepted) designs including for Wascana Centre in Regina, Brockton Point lighthouse, Coal Harbour and Lost Lagoon in Vancouver, and urban design plans for Banff and downtown Calgary. Mawson’s vision for Calgary, had it been implemented, would have changed what was then a dusty prairie town, into a city of the City Beautiful movement.

Legacy

With the passage of time some of the original features have deteriorated. A number of Mawson’s parks were restored in the early twenty-first century. For example, the two municipal parks at Stoke-on-Trent (Hanley Park and Burslem Park) and a rose garden at Bushey were restored as part of the “Parks for People” programme for historic parks and cemeteries in the UK.

Archive

More than 14,000 plans and drawings together with 6,500 glass plate negatives and photographs comprise the archive of Mawson documents. They are stored at Kendal Record Office having been offered to the Cumbria Archive Service following the closure of Thomas H. Mawson & Son of Lancaster and Windermere in 1978. As at 2010, the material has not been fully catalogued and conservation is proving difficult.

Selected writings

  • 1900: The Art and Craft of Garden Making, 1st edn 1900, 5th edn (recommended), 1926.
  • 1908: “The Designing of Gardens”, article in The Studio Year Book of Decorative Art 1908
  • 1911: Civic Art Covers the principles of town planning
  • 1927: The Life and Work of an English Landscape Architect

 

People : André Le Nôtre , From Versailles To Greenwich Park, Garden Designer to the Kings…..


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André Le Nôtre (12 March 1613 – 15 September 1700, occasionally rendered as André Le Nostre) was a French landscape architect and the principal gardener of King Louis XIV of France. Most notably, he was the landscape architect who made the design and construction for the park of the Palace of Versailles, and his work represents the height of the French formal garden style, or jardin à la française.

Prior to working on Versailles, Le Nôtre collaborated with Louis Le Vau and Charles Le Brun on the park at Vaux-le-Vicomte. His other works include the design of gardens and parks at Chantilly, Fontainebleau, Saint-Cloud and Saint-Germain. His contribution to planning was also significant: at the Tuileries he extended the westward vista, which later became the avenue of the Champs-Élysées and comprise the Axe historique.

Biography

Early life

André Le Nôtre was born in Paris, into a family of gardeners. Pierre Le Nôtre, who was in charge of the gardens of the Palais des Tuileries in 1572, may have been his grandfather. André’s father Jean Le Nôtre was also responsible for sections of the Tuileries gardens, initially under Claude Mollet, and later as head gardener, during the reign of Louis XIII. André was born on 12 March 1613, and was baptised at the Église Saint-Roch. His godfather at the ceremony was an administrator of the royal gardens, and his godmother was the wife of Claude Mollet.

The family lived in a house within the Tuilieries, and André thus grew up surrounded by gardening, and quickly acquired both practical and theoretical knowledge. The location also allowed him to study in the nearby Palais du Louvre, part of which was then used as an academy of the arts. He learned mathematics, painting and architecture, and entered the atelier of Simon Vouet, painter to Louis XIII, where he met and befriended the painter Charles Le Brun. He learned classical art and perspective, and studied for several years under the architect François Mansart, a friend of Le Brun.

Career

In 1635, Le Nôtre was named the principal gardener of the king’s brother Gaston, duc d’Orléans. On 26 June 1637, Le Nôtre was appointed head gardener at the Tuileries, taking over his father’s position. He had primary responsibiliity for the areas of the garden closest to the palace, including the orangery built by Simon Bouchard. In 1643 he was appointed “draughtsman of plants and terraces” for Anne of Austria, the queen mother, and from 1645 to 1646 he worked on the modernisation of the gardens of the Château de Fontainebleau.

He was later put in charge of all the royal gardens of France, and in 1657 he was further appointed Controller-General of the Royal Buildings. There are few direct references to Le Nôtre in the royal accounts, and Le Nôtre himself seldom wrote down his ideas or approach to gardening. He expressed himself purely through his gardens. He became a trusted advisor to Louis XIV, and in 1675 he was ennobled by the King. He and Le Brun even accompanied the court at the siege of Cambrai in 1677.

In 1640, he married Françoise Langlois. They had three children, although none survived to adulthood.

Vaux-le-Vicomte

André Le Nôtre’s first major garden design was undertaken for Nicolas Fouquet, Louis XIV’s Superintendent of Finances. Fouquet began work on the Château de Vaux-le-Vicomte in 1657, employing the architect Louis Le Vau, the painter Charles Le Brun, and Le Nôtre. The three designers worked in partnership, with Le Nôtre laying out a grand, symmetrical arrangement of parterres, pools and gravel walks. Le Vau and Le Nôtre exploited the changing levels across the site, so that the canal is invisible from the house, and employed forced perspective to make the grotto appear closer than it really is. The gardens were complete by 1661, when Fouquet held a grand entertainment for the king. But only three weeks later, on 10 September 1661, Fouquet was arrested for embezzling state funds, and his artists and craftsmen were taken into the king’s service.

Versailles

From 1661, Le Nôtre was working for Louis XIV to build and enhance the garden and parks of the Château de Versailles. Louis extended the existing hunting lodge, eventually making it his primary residence and seat of power. Le Nôtre also laid out the radiating city plan of Versailles, which included the largest avenue yet seen in Europe, the Avenue de Paris.

In the following century, the Versailles design influenced Pierre Charles L’Enfant’s master plan for Washington, D.C. See, L’Enfant Plan.

Other gardens

France

In 1661, Le Nôtre was also working on the gardens at the Palace of Fontainebleau. In 1663 he was engaged at Château de Saint-Germain-en-Laye, and Château de Saint-Cloud, residence of Philippe d’Orléans, where he would oversee works for many years. Also from 1663, Le Nôtre was engaged at Château de Chantilly, property of the Prince de Condé, where he worked with his brother-in-law Pierre Desgots until the 1680s. From 1664 he was rebuilding the gardens of the Tuileries, at the behest of Colbert, Louis’s chief minister, who still hoped the king would remain in Paris. In 1667 Le Nôtre extended the main axis of the gardens westward, creating the avenue which would become the Champs-Élysées. Colbert commissioned Le Nôtre in 1670, to alter the gardens of his own château de Sceaux, which was ongoing until 1683.

Abroad

In 1662, he provided designs for Greenwich Park in London, for Charles II of England. In 1670 Le Nôtre conceived a project for the Castle of Racconigi in Italy, and between 1674 and 1698 he remodelled the gardens of Venaria Reale, near Turin. In 1679, he visited Italy. His later advice was provided for Charlottenburg Palace and château de Cassel in Germany, and with plans for Windsor Castle.

Final works

Between 1679 and 1691, he was involved in the planning of the gardens of Château de Meudon for François-Michel le Tellier, Marquis.

His work has often been favorably compared and contrasted (“the antithesis”) to the œuvre of Lancelot “Capability” Brown, the English landscape architect.

People : Edward Hudson , The Simon Cowell of the day making stars out of Edwin Lutyens and Gertrude Jekyll.


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Edward Burgess Hudson (1854–1936) was the founder of Country Life magazine in 1897.

Country Life was an early lifestyle magazine. Edward Hudson was the owner of Lindisfarne Castle (1901-21) and two other Lutyens-designed houses, Deanery Gardens in Sonning (c1899-1907), designed and built 1899–1901, and Plumpton Place, Sussex (1928-36 but not occupied), both featured in the magazine in 1903 and 1933 respectively. Hudson and Lutyens were great friends.

Gertrude Jekyll used to write an article periodically for Hudson’s Country Life and also.